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Sheela-na-Gigs or even Sheela Na Gigs come nonliteral carvings of naked females displaying an exaggerated vulva. It is obtained in churches, castles and other buildings inside Ireland and Britain, sometimes together by owning male numbers. An case may be seen at Kilpeck in Herefordshire. the title was foremost published within the Proceedings of the Royal Irish Academy 1840-44, as the local title for a carving when present in a church gable end in Rochestown, Co. Tipperary, Ireland; a title was as well recorded within 1840 by John O'Donovan, an official of the Ordnance Survey of Ireland, around to the figure on the church in Kiltinane, County Tipperary, Ireland. There exists disputation on a origin & meaning of the title. Eamonn Kelly, Keeper of Irish Antiquities at a National Museum of Ireland around Dublin, writes that a title is an Irish phrase, originally either Sighle na gCíoch, meaning "the old hag of the breasts", or even Síle-ina-Giob, meaning "Sheila (a name for an old woman) on her hunkers".

There exists as well argument on a source of the Sheelas. 1 perspective by James Jerman & Anthony Weir is that a sheelas were foremost carved around France and Spain in the 11th century. It at length reached Britain so Ireland in the 12th century. Their operate was the continuation of the the food and drug administration began by Jørgen Andersen. Eamonn Kelly points to a distribution of sheelas around Ireland to trend lines this theory; most entirely of the surviving around place sheelas come encountered in areas of Anglo-Norman conquest (12th century), when the areas which remained "native Irish" boast sole two or three sheelas. Anthony Weir & James Jerman argue inside Images of Lust that their locatiin on churches & ugliness by mediæval standards suggests that they were utilized to represent female lust as hideous and sinfully corrupting.

An additional theory, espoused by Joanne Mcmahon & Jack Roberts, is that the carvings are remnants of a pre-Christian fertility or Mother Goddess religion. To trend lines this claim, it point to a differences inside materials & styles of the sheelas from either either their surrounding structures, & that a few sheelas come turned in their side, to trend lines the idea that it were incorporated from former structures into early-Christian structures. There are differences between average "continental" exhibitionist numbers & Irish sheelas, including a deficiency of male numbers inside Irel& & a UK when a continental carvings come other probably to require male numbers, and a extra "contortionist" postures of continental numbers.

Such carvings come said to ward off death and evil. More grotesques like gargoyles and Hunky Punks are oft discovered in churches everthing on top Europe and it is ordinarily said that it is there to keep evil spirits away.

Sheela Na Gig
Fethard Historical Society report on the local Sheela na Gigs, including the stolen Kiltinan figure.

Sheela na Gig, Lavey, Co. Cavan
Description and photograph of the Lavey Sheela na Gig found in a graveyard at Lavey, Co. Cavan in 1842.

Enter Sheela World
Quest by Kathryn Price Theatana into the history, etymology and magic of the Sheela na Gigs, mainly from a wiccan point of view.

Sheela-Na-Gig
Article by Chris Thompson on the relationship of Sheela na Gigs to the Earth Mother.

Sheela-na-Gigs
Historical overview and interpretations, compiled by Jack Roberts.

Shropshire History - Sheela-na-gigs
Article by Tim Carrington on the Sheela-na-gigs of Shropshire.

Tara's Sheela-na-gig Website
Descriptions and images, possible interpretations, bibliography, and links, compiled by Tara McLoughlin.

Sheela Na Gig Project
John Harding aims to document and photograph all of the Sheela Na Gig carvings in the UK. He includes an overview and bibliography of the topic.


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